A Sixteenth-Century <i>Batrashil </i>in the Metropolitan Museum of ArtHugoye: Journal of Syriac StudiesSyriaca.org: The Syriac Reference PortalThe National Endowment for the HumanitiesThe International Balzan Prize FoundationDavid A. Michelsoncbsc_adminRecord added to Zotero bycbsc_adminSyriaca.org: The Syriac Reference Portalhttp://syriaca.org/cbss/VLJU6C5T/tei
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CREATED: This bibl record was autogenerated from a Zotero record.Jennifer L.BallA Sixteenth-Century <i>Batrashil </i>in the Metropolitan Museum of Arthttp://syriaca.org/cbss/VLJU6C5Thttps://www.zotero.org/groups/a_comprehensive_bibliography_on_syriac_studies/items/VLJU6C5Thttps://www.zotero.org/groups/4861694/items/VLJU6C5THugoye: Journal of Syriac Studies9:12006This paper, through an analysis of the iconography, style and use of the sixteenth-century bishop’s stole and its inscription, seeks to elucidate the post-medieval history of liturgical vestments in the Syriac Orthodox church, where little research has been done. The stole will be set firmly within Syriac Orthodox art, using earlier manuscript illumination. It also illustrates ties between the Syriac Orthodox Church and the Coptic and Nubian churches. The object adds to the known history of the Mar Musa al-Habashi monastery, with which the owner of the stole was affiliated. It also furthers our limited evidence on patron-artist relationships and women artists in Islam, as the inscription tells us some information about the embroiderer.
Ball, Jennifer L. “A Sixteenth-Century Batrashil in the Metropolitan Museum of Art.” Hugoye: Journal of Syriac Studies 9:1 (2006).
Jennifer L. Ball, A Sixteenth-Century Batrashil in the Metropolitan Museum of Art,” Hugoye: Journal of Syriac Studies 9:1 (2006).JacobitesXVI CEartdressiconographyliturgicsmonastery of Mar Musa al-Habashi