Copying and Social Cohesion in Rome and Early Byzantium: The Case of the First Famous Image of Christ at Edessa

Copying and Social Cohesion in Rome and Early Byzantium: The Case of the First Famous Image of Christ at EdessaSyriaca.org: The Syriac Reference PortalThe National Endowment for the HumanitiesThe International Balzan Prize FoundationDavid A. Michelsoncbsc_adminRecord added to Zotero bycbsc_adminSyriaca.org: The Syriac Reference Portalhttp://syriaca.org/cbss/G8EC4HWV/tei

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2024-08-15-04:00

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CREATED: This bibl record was autogenerated from a Zotero record.HugoMeyerCopying and Social Cohesion in Rome and Early Byzantium: The Case of the First Famous Image of Christ at Edessahttp://syriaca.org/cbss/G8EC4HWVhttps://www.zotero.org/groups/a_comprehensive_bibliography_on_syriac_studies/items/G8EC4HWVhttps://www.zotero.org/groups/4861694/items/G8EC4HWVColumHourihaneInteractions: Artistic Interchange between the Eastern and Western Worlds in the Medieval PeriodPrincetonPrinceton University Press2007209-219 Meyer, Hugo. “Copying and Social Cohesion in Rome and Early Byzantium: The Case of the First Famous Image of Christ at Edessa.” In Interactions: Artistic Interchange between the Eastern and Western Worlds in the Medieval Period, edited by Colum Hourihane, 209–19. Princeton: Princeton University Press, 2007. Hugo Meyer, Copying and Social Cohesion in Rome and Early Byzantium: The Case of the First Famous Image of Christ at Edessa, in Interactions: Artistic Interchange between the Eastern and Western Worlds in the Medieval Period, ed. Colum Hourihane (Princeton: Princeton University Press, 2007), 209–19.MandylionSyriac influence [Byzantine church]articonography